6.21.2010
6.10.2010
on note-taking, and unanswerable questions
Adam Gopnik: "
Going through an old notebook from San Francisco days, a season of such questions, questions that continue to haunt me.
What is the difference between Truth and truths? What does it mean to pursue Truth?
How can something be true and untrue at once? (to live life in paradox)
to tell the story of someone erased:
Does the story trump everything? Can concessions to truth be made in the name of story (or concessions to fact, at least?) What is ethical writing?
My words are ribbons, prayer flags strung together in primary colors
you do the best with what you know, until you know better.
Poking holes in my world--realizing that the world in which I live is not the world in which most people live
(universalizing your own experience)
Part of our education is unlearning (deconstructing): awareness as the beginning of wisdom
-of what we don't know
-of what we fail to notice
All grown-up craft depends on sustaining a frozen moment from childhood: scientists, it is said, are forever four years old, wide-eyed and self-centered; writers are forever eight, over-aware and indignant."
Going through an old notebook from San Francisco days, a season of such questions, questions that continue to haunt me.
What is the difference between Truth and truths? What does it mean to pursue Truth?
How can something be true and untrue at once? (to live life in paradox)
to tell the story of someone erased:
Does the story trump everything? Can concessions to truth be made in the name of story (or concessions to fact, at least?) What is ethical writing?
My words are ribbons, prayer flags strung together in primary colors
you do the best with what you know, until you know better.
Poking holes in my world--realizing that the world in which I live is not the world in which most people live
(universalizing your own experience)
Part of our education is unlearning (deconstructing): awareness as the beginning of wisdom
-of what we don't know
-of what we fail to notice
6.09.2010
East of Eden / Steinbeck
Lee poured a tumbler full of dark liquor from the round stone bottle and sipped it and opened his mouth to get the double taste on the back of his tongue. "No story has power, nor will it last, unless we feel in ourselves that it is true and true of us. What a great burden of guilt humans have!...and, of course, people are interested only in themselves. If a story is not about the hearer he will not listen. And here I make a rule--a great and lasting story is about everyone or it will not last. The strange and foreign is not interesting--only the deeply personal and familiar."
5.06.2010
if it's the beaches / the avett brothers
Don't say it's over
Cause that's the worst news I could hear
I swear that I will do my best to be here
jus the way you like it
Even though its hard to hide, push my feelings all aside
I will rearrange my plans and change for you.
If it's the beaches, if it's the beaches' sands you want
Then you will have them
If it's the mountains' bending rivers
Then you will have them
If it's the wish to run away, then I will grant it
Take whatever you think of while I go gas up the truck
Pack the old love letters up
We will read them when we forget why we left here.
Cause that's the worst news I could hear
I swear that I will do my best to be here
jus the way you like it
Even though its hard to hide, push my feelings all aside
I will rearrange my plans and change for you.
If it's the beaches, if it's the beaches' sands you want
Then you will have them
If it's the mountains' bending rivers
Then you will have them
If it's the wish to run away, then I will grant it
Take whatever you think of while I go gas up the truck
Pack the old love letters up
We will read them when we forget why we left here.
5.05.2010
I am alone, I am not alone. I am water flowing, going, another, another father, another fire, flood, place, tribe. Tribe I remember. I remember your held name, strong, sweet, your forgotten name. I remember name, your woven existence, your fiery, unfamiliar name. I remember your nomad face, your glittering eyes, your carpenter hands. I remember and forget.
[All things turn to fire and flood and you are nomad and I am water and we are alone and not alone.]
Chant, chant your unfamiliar name. Pull vowels forgotten from your stomach. I come from that same dark place. I come from the river stitched by four sisters (or were there five?), broken by soil and sod, sand and red, red brick of dirt under your hardened fingernails. Time’s cellar, a skinless pendulum shortening and lengthening our powwow, our obsession. Your cold river sheets gritty with sand.
I blame that wildfire making hitchhikers out of us, pitching our tents not in romantic, djembed Bedouin ways but in the carving rock of desert slicing into your shoulders, your ribs, your abdomen, into my unfamiliar sister breasts, sandwiched and catalogued between sandy rivered sheets where only the kitchen table survives fire and flood.
[All things turn to fire and flood and you are nomad and I am water and we are alone and not alone.]
Chant, chant your unfamiliar name. Pull vowels forgotten from your stomach. I come from that same dark place. I come from the river stitched by four sisters (or were there five?), broken by soil and sod, sand and red, red brick of dirt under your hardened fingernails. Time’s cellar, a skinless pendulum shortening and lengthening our powwow, our obsession. Your cold river sheets gritty with sand.
I blame that wildfire making hitchhikers out of us, pitching our tents not in romantic, djembed Bedouin ways but in the carving rock of desert slicing into your shoulders, your ribs, your abdomen, into my unfamiliar sister breasts, sandwiched and catalogued between sandy rivered sheets where only the kitchen table survives fire and flood.
4.06.2010
[on being back]
People look older. Some have gained weight,
or are losing a little hair,
Others have grown thinner, facial structures more pronounced.
I've been in the desert since Thursday, Anza Borrego, the Salton Sea, strange places,
felt the 6.9 quake with Elly,
my grandmother who kept cordially asking what we do, where we work, who we are.
Now it's back to this beach town, after nearly a year
Staggering in the streets at the smell of climbing wisteria and jasmine
walking at the salty ocean between windy surf and stars
I burst, it shattered through me like a bullet through a bottle
(telling me to believe that all of this is real).
or are losing a little hair,
Others have grown thinner, facial structures more pronounced.
I've been in the desert since Thursday, Anza Borrego, the Salton Sea, strange places,
felt the 6.9 quake with Elly,
my grandmother who kept cordially asking what we do, where we work, who we are.
Now it's back to this beach town, after nearly a year
Staggering in the streets at the smell of climbing wisteria and jasmine
walking at the salty ocean between windy surf and stars
I burst, it shattered through me like a bullet through a bottle
(telling me to believe that all of this is real).
3.11.2010
don't count the leaves of the mango tree
I don't want a reason anymore about the one I love, the one I love
I just want to melt away, in all the craze
drift away, into that sacred place
where there's no more you and me, no more they and we, just unity
just unity...
I just want to melt away, in all the craze
drift away, into that sacred place
where there's no more you and me, no more they and we, just unity
just unity...
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